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Profile

Name: Mr WONG Yu Bon Nicholas
Qualifications:

- B.A. (HKU)
- PCEd (HKU)
- MPhil (HKU)

Contact

Email: nybwong@ied.edu.hk
Office: B4-2/F-13 Department of English
Hong Kong Institute of Education
10 Lo Ping Road, Tai Po Hong Kong
Tel: 2948 7365


Teaching / Research Interests


Hong Kong Cinema (particularly Wong Kar-wai and Johnnie To)
Queer literary studies
Fictional works of Haruki Murakami
Star and fans culture
The body and body parts
Film studies
Creative writing

Nicholas Wong lectures contemporary literatures and film studies in the English Department at HKIEd. He has published several articles on Hong Kong cinema and a textbook about popular culture and learning English (Oxford University Press, 2009). He is also a creative writer and has published short stories and poems locally and internationally. He is currently working on a research project with Dr. Bidisha Banerjee about the representation of Tin Shui Wai in some recent Hong Kong independent films.

Courses taught (2009-2010)
Undergraduate:
Introduction to Literary Studies I
Contemporary Literatures in English

Film and Second Language Education
English Language and the Popular Media

Postgraduate:
Multicultural Contemporary Literature
Teaching English through Poems, Songs and the Mass Media

Publications

Articles

  • "Loving You by Not Falling in Love: The Postmodern Representation of Love in Chunking Express and Lost in Translation" in Screen Education, vol. 53, pp. 131-7.
  • "Over and Over Again? Wong Kar-wai's My Blueberry Nights" in Metro 158, 2008, pp. 56-60.
  • "The Carnal Hand and Fetishism in Wong Kar-wai's The Hand" in Asian Cinema. Vol. 19, No. 1. Spring/Summer 2008, pp. 47-58.
  • “From Rose Mary to Rolls Royce: Denise Ho x Wyman Wong. Queerness in Denise Ho’s Music” in Fe/male Bodies. Debut Issue. November 2005. Kubrick: Hong Kong. pp 62-8.

Textbook

  • Learning English through Popular Culture. 2009. Hong Kong: Oxford University Press.

Creative Works

“The Importance of Having an ‘R’”

  • Yuan Yang , 2001 June. English Department. The University of Hong Kong: Hong Kong.
  • Moving Poetry . 2002 Summer. Edited by Shirley Lim and Page Richards. Hong Kong University Press: Hong Kong.
  • Also appeared in Shirley Lim’s essay “Cultural Imagination and English in Hong Kong”. Asian Englishes Today. Hong Kong English. Autonomy and Creativity. Edited by Kingsley Bolton. 2002. Hong Kong University Press: Hong Kong.

“Haruki Murakami. A Spring Tree Above the Village”

  • Yuan Yang , 2001 June. English Department. The University of Hong Kong. Hong Kong.
  • Karawane: A Journal of Experimental Performing Texts . Issue 9. 2007 (10 th Anniversary Issue). p. 31.

“The Evolution of Beard”, “Hymen” and “City of Sameness” in Fe/male Body: Bodywise. July 2006. Kubrick: Hong Kong.

“The Evolution of Beard”, “Hymen”, “City of Sameness”, “Fingernails”, “The Lunatic’s Penis” and “Suicide with McDonald Suk Suk” in Special Hong Kong Edition of Asia and Pacific Writers’ Network (APWN). (ed) Xu Xi. November 2006.

Links:

http://www.apwn.net/index.php?/writing/more/fingernails/

http://www.apwn.net/index.php?/writing/more/the_lunatics_penis/

http://www.apwn.net/index.php?/writing/more/hymen/

http://www.apwn.net/index.php?/writing/more/the_evolution_of_beard/

http://www.apwn.net/index.php?/writing/more/city_of_sameness/

http://www.apwn.net/index.php?/writing/more/suicide_with_mcdonald_suk_suk/

“Suicide with McDonald Suk Suk”

  • Yuan Yang . Vol. VII, no. 1. 2006 Decmeber. Department of English, The University of Hong Kong. Hong Kong. pp. 9-14.

Featured poet of The Other Voices International Project. Vol. 26. 2007 (http://www.othervoicespoetry.org/vol26/nwong/index.html)

Hot cha

《善行者》

  • 7-11 與香港話劇團舉辦之「7-11寫意人生‧創意生活」短篇故事創作比賽2007。公開組
    最後十名入圍名單以及創意大獎。
  • "Hong Kong Island Mon Amour" (poem), Shadows of Time" (poem), "I for Illness" (short story) and "The Philosophy of Smoking by an Amateur Smoker" (poem) in Fifty-Fifty: New Hong Kong Writing. 2008. (ed) Xu Xi. Hong Kong: Haven Books. pp. 40, 113, 238-48, 288.
  • "On Melancholy" in Preoccupations: Things Artists Do Anyway. 111 Artists Reveal Their Obsessions. 2008. Cornelia Erdmann and Michael Lee Hong Hwee (eds). laiyanPROJECTS and Studio Bibliotheque: Hong Kong. pp. 210-1.
    "Lives" shortlisted for Chroma's 2009 International Queer Writing Competition (poetry section), organized by Chroma: A Queer Literary and Arts Journal.

Book Reviews

  • Cheuk, Pak Tong. Hong Kong New Wave Cinema: 1978-2000 (Intellect, 2008) in Scope: An Online Journal of Film and TV Studies (expecting 2009).
  • Gentz, Natascha and Kramer, Stefan (eds). Globalization, Cultural Identities, and Media: Representations (State University of New York Press, 2006) in Discourse Vol 31 (1) (expecting March 2010).

Film Reviews

On Wong Kar-wai’s The Hand. Scope. An online journal of film studies. Issue 4. February 2006. Institute of Film Studies. University of Nottingham. http://www.scope.nottingham.ac.uk/filmreview.php?issue=4&id=123

Conference Presentations

  • “When Eros Lies in The Hand of Wong Kar-wai”. The 27 th Annual Meeting of the Southwest Texas Popular Culture and American Popular Culture. Albuquerque, New Mexico. 8-11 February 2006. (Speaker)
  • “A Different Kind of Friendship – Reading the Homosocial in Johnnie To’s Election”. The Film Scene: Cinema, The Arts, and Social Change. The University of Hong Kong, Hong Kong. 21-22 April 2006. (Speaker)
  • “The Carnal Hand and Fetishism in Wong Kar-wai’s The Hand”. “Wither the Orient” in Asian Culture Forum. Kimdaejung Convention Centre in Gwangju, Korea. 26-29 October 2006. (Speaker)
  • “Nations in Transition” in Asia Culture Forum. Kimdaejung Convention Centre in Gwangju, Korea. 26-29 October 2006. (Discussant)
  • “The Obsession of the Ears: Reading Haruki Murakami’s Blind Willow, Sleep Woman and A Wild Sheep Chase” in Postgraduate Departmental Seminar. Department of Comparative Literature, The University of Hong Kong. Hong Kong. April 24 2007. (Speaker)
  • “Reading the Eye as a Haunting and Desirable Organ” in The 2007 International Conference on Inter-Asian Culture, Communication, Conflict, and Peace. City University of Hong Kong. Hong Kong. 4-5 May 2007. (Speaker)
  • "Cultural Hybridity, Silence and Secrey: The Transnational and Pansexual Stardom of Jay Chou" in Screenscapes: Past, Present, Future. University of Sydney. Australia. 29 November - 2 December 2007. (Speaker)
  • "Masculinity at Risk: The Endangered Policeman and Detective in Exodus and Mad Detective" in Locality, Translocality, and De-locality: Cultural, Aesthetic, and Political Dynamics of Chinese-Language Cinema International Conference. Shanghai University, Shanghai. 12-13 July 2008. (Speaker)
  • "The Canon and I: Creative Poetry Writing as the Literary Scene, Popular Scene and Classroom Scene" in the First International Conference on Popular Culture and Education in Asia. The Hong Kong Institute of Education, Hong Kong. 11-13 December 2008 (Speaker)